What You Need to Know About Paperless Ticketing

Reported several years ago, a company in Texas was found managing over 100 computers with their own software programs. That sounds perfectly fine at first glance since computers can be found virtually at every company across the globe. The problem here was that these computers in particular, had been programmed to purchase tickets to shows in bulk the instant they became available.

After tickets to numerous events and shows had been purchased, a ticket broker—who’d prearranged to purchase those tickets from the company—ultimately aimed to sell them back to the public. Sometimes, a ticket broker has their own computers. Tickets can change hands two to three times with every one of them looking to gain profit. So regardless of the process, the objective is the same—drive up the price.

Those darn scalpers.

The reality is people have been scalping for a long time—modifying their approach to modernize the way they make profits.  The latest technologies provide faster and faster ways to get tickets. One method is automated computer software programs such as the one in Texas.

Often seen as a victim-less crime, those profits do pay a price. And that price falls on true fans. Once the broker has tickets, prices skyrocket. The broker sometimes can make it practically impossible for the average Joe to get a seat to his favorite band when prices are marked up to over 200%.

Another problem this poses is the uncertain validity of tickets purchased on the secondary market. Sure, you may be able to fork over a couple extra hundred bucks to take your girlfriend or boyfriend to the Kid Rock show or take your spouse and kids to the spectacular “Wicked” Broadway show coming into town, but how do you know they are legit?

Here is where paperless tickets come into play.

Paperless ticketing is an alternative method of purchasing tickets and continuing to gain access to the shows you want to attend. Instead of receiving your tickets ahead of the event, the credit card used to make the purchase will serve as your ticket. All you need to attend the show is the credit card you used to purchase the ticket and a valid, government-issued ID (such as a driver's license, state ID or passport).

Promoters are employing the use of paperless tickets more and more successfully at some of the largest venues throughout the world, by many of the most popular artists including the likes of Kid Rock and more. Simply put, this measure best ensures that fans can buy tickets at the price they initially set for the event all the while enjoying the added convenience of not having to risk losing or misplacing paper stubs.

When patrons arrive at the venue, just go directly to the gate and/or ticket-taker and present the credit card used to purchase the tickets along with a government-issued ID. Upon scanning your credit card to validate your order, a seat locator slip for each ticket ordered will be printed off for each seat purchased in your order.

But say you’re purchasing tickets for others and don’t intend on attending the show?

If you buy tickets for friends or family, sometimes you only have to go to the gate, not through the gate. Simply accompany them to the venue and show your credit card and ID to get them in.

If you happen to lose your credit card after your purchase was made, simply bring a print out of your confirmation email or online order history from Ticketmaster with your government-issued ID to the box office. The box office will then verify the order and make sure the names match. If they do not match, entry will not be permitted.

Paperless tickets take the ease out of a ticket process that has for too long been manipulated at the cost of the artist all the way down to the common fan.

Click here to learn more about paperless ticketing. 

Kendall College of Art & Design Juried Print, Drawing and Painting Exhibition Adornd DeVos Place Skywalk

The juried exhibition of Master of Fine Arts students from Kendall College of Art and Design opened on Monday, November 5, 2012 and is currently visible in the Skywalk of DeVos Place Convention Center at 303 Monroe Avenue NW, Grand Rapids, MI 49503; (616) 742-6503.

Eddie Tadlock, Assistant General Manager of De Vos Place worked closely with the Curator of this exhibition, Kendall College of Art and Design Professor Margaret Vega, to showcase these Graduate students. Tadlock states, “DeVos Place is proud and excited to partner with Kendall College of Art and Design in presenting this juried show of graduate students. DeVos Place Convention Center is uniquely situated to showcase art in a public venue in the heart of downtown Grand Rapids. We anticipate an audience of over 30,000 visitors will be afforded the opportunity to see this important exhibition of emerging artists. This exhibition will certainly add a new art destination for the cultural calendar in the region.”

Nineteen 2011-2012 Print, Drawing and Painting Graduate Students were chosen from their digital submission based both on craft and content. The final selection was made from the original work. The artists exhibiting are:

Megan Klco
Cody Erickson
Aneka Ingold
Mellissa Redman
Salvador Jimenez
Katie Moore
Linda Manguiat-Herzog
Taylor Overbay
Laura Hunt
Kari Friestad
Gabriela Amaya-Baron
Elizabeth Hubler-Torrey
Tatsuki Hakoyama
Dustin Rogers
Shannon McDonell
Marvin Dabideen
Steven Vinson
Sarah Knill
Lydia Larson

Megan Klco, MFA thesis Painting student, assisted in hanging the show and placing the work within the space. She is exhibiting her work in galleries and ArtPrize. The MFA Program at Kendall College of Art and Design is a rigorous experience involving studio and thesis level courses, Art History and seminars in philosophy and contemporary issues.

“This juried exhibition represents the commitment and dedication of our graduate students at Kendall. Students arrive to our MFA program with passion, expectations and expertise. They graduate with refinement and depth in their chosen field, combined with direction and preparedness for the challenging life of an artist. These artists will go on to teach, exhibit and share their work all over the world. It is an inspiration and privilege to work with these students,” said MFA Painting Professor Margaret Vega.
"Guided by skill and imagination and having only their courage and the media of the artist to accompany them, the Kendall graduate students set out into uncharted territories. They explore universes of experience, opening up new worlds from old ones and moving agilely away from the anesthetic of routine. As a viewer I find the works emotionally resonant, even as they produce the tension, challenge, and sometimes discomfort of changed perceptions and understandings. I come away from experiencing those works with my intellect excited, my emotions churned, and my whole being refreshed by what can only described as a visit to a new place. And when I come back to my old place from that new one, I feel immense gratitude for that journey and pride in the Kendall students. They are doing work that matters," stated Dr. David Rosen, President, Kendall College of Art and Design.

Megan Klco

ArtPrize '12 Recap: DeVos Place and Van Andel Arena Collaborate With Community While Talented Artists' Make Top 100

With another ArtPrize competition well done and over with, we at DeVos Place and Van Andel Arena would like to take a quick look back at the amazing artist accomplishments for which the entries at DeVos Place and Van Andel Arena were able to receive along with some of the great collaborations we were able to participate in.


With over 900 applicants desiring to display their work at one of ArtPrize’s premier venues year in and year out, only 58 were chosen to exhibit at DeVos Place with another two entries down the road outside our sister venue, Van Andel Arena, which is also where we kicked off our participation in this year’s contest.

Coincidentally, Ringling Bros. and Barnum & Bailey’s Fully Charged circus was coming into town for their annual fall run of shows at the arena while ArtPrize was also ready to kick off. Combining the two occasions, Van Andel Arena was able to host a Pachyderm Painting Palooza on September 19th with special guest, Asia the elephant. Van Andel Arena also worked with the Grand Rapids-Kent County Convention/Arena Authority’s Community Inclusion Group to bring in a dozen children from local schools to paint with Asia, herself...using their "trunks", of course.

But Van Andel Arena wasn’t the only venue having all the fun that day. Over at DeVos Place, hundreds of the public browsed through the venue at DeVos Place's ArtPrize Grand Reception, where they were able to meet and speak with many of the artists themselves. The preview event was part of the Arena District’s preview series, involving many of downtown’s bars, restaurants and venues.

During ArtPrize, local teenagers from the Grand Rapids Community Foundation’s Youth Grant Committee used the area in front of Van Andel Arena on September 29th for one of their annual volunteer projects. Using hundreds of canvas event bags that were supplied by DeVos Place, the Youth Grant Committee offered people walking downtown the opportunity to help children in need feel uplifted and inspired. By asking people downtown to simply decorate a lunch bag that was given to a child through Kids’ Food Basket’s sack supper program, all parties involved were able to utilize their resources for the benefit of the community.

As for the competition itself, DeVos Place and Van Andel Arena were happy to have 13 artists in the top 100 out of 1517 entries.

Cristina Fournier’s From Coast to Coast, Greg Rawls’ Sea Glass, Lis Bokt’s Earth, Scott William Bye’s Rush Docks, Tom Sheerin’s Bird Feeder and Kent Ambler’s Running Dogs all made the top 100. Cracking the top 50 were Peter Halasz’s rainscape from east broadway and canal, Read Lockhart’s The Allegory of the Cave, Clark Art Studio’s Verdigris, Kim Marie Rudolph’s Black Swan and Jody Williams’ Legacy.

Finally, a round of applause goes to Jessica Bohus’ Running on Air and Jack Nixon’s Studies In Light and Form—The Chicago Seven and Michigan Avenue Bridge Sculptures for making the top 25. Just the latest DeVos Place displays to make the top 25, DeVos Place has been well represented in the top 25 every year since ArtPrize started.

Congratulations to these great artists for making the top 100 and beyond. Lastly, thanks to all the artists that displayed their terrific work at DeVos Place and Van Andel Arena. Next year, we anticipate more great entries and look forward to collaborating with and for the community. See you next year!

Michigan ArtPrize Artists Well Represented Amongst International Artists

ArtPrize 2012 is officially underway and DeVos Place is once again hosting some terrific art ranging from pin-point drawings to flamboyant paintings to enticing sculptures. On Wednesday evening, hundreds of people showed up to our opening reception where a few of the artists were on hand to greet, meet and discuss. Last week, we highlighted just 11 of those artists and their work. Fifty-eight artists are displaying their work at DeVos Place out of 900 applicants. Just as the art ranges in style and topic, the artists themselves come from all over the world and range in background and motivation.


Scott Luce’s “Grand Illumination” (pictured above) stands nearly 7 feet tall and is constructed of an estimated 800 pounds of granite, stainless steel and antique glass. The body of the sculpture is literally carved from one of the granite steps of the city’s historic Civic Auditorium. The lanterns are made from the Italian glass ceiling lights which were also part of the former auditorium. “These building materials were meant to remind us of the grandeur of days gone by, while it’s clean and modern design mirror many of the design elements of our modern-day Convention Center,” Luce said. Luce grew up in Grand Rapids, receiving a BS degree from Central Michigan University. He also attended Kendall College of Art and Design. In ArtPrize 2010, Luce submitted a trilogy of three abstract sculptures.


Kim M. Rudolph came in the top 25 at ArtPrize 2011 with her sculpture “Lady of Dance.” This year, her entry is titled “Black Swan,” a life-size sculpture made from wall plaster. Rudolph’s work is done painstakingly by hand with no forms, models or casting used in the creation of “Black Swan.” From start to finish, Rudolph says an art piece like ‘Black Swan” can often take years to produce. Kim began her career in fine art doing painting, drawing, designing and carving, particularly enjoying creating art that’s realistic in form and styling. Her art shows a love for detail. Sculpting came later in life, landing in her lap accidentally. The passion she felt in this artistic medium was unsurpassed as it ignited a flame in her. As an artist she often feels like she’s walking a tightrope ever so gently combining 2D and 3D artistry in one, blending them effortlessly.


West Michigan artist Jessica Bohus had work in ArtPrize 2010 at the Douglas J Aveda Institute. But this year, Bohus is hoping that her spot on a DeVos Place wall will give her piece “some fabulous shadows.” The contrast between the two venues demonstrates something she likes about participating in ArtPrize, which led her to enter “Running on Air,” in this year’s competition. “The work I do is sculptural installation so the venue changes the viewer’s experience of the art and dictates how the horses appear or disappear” she said. Originally from the south side of Chicago and a graduate of the School of the Art Institute of Chicago, Bohus now lives near Fennville where she operates Blue Roan Studio. The Studio is in a two room schoolhouse built in 1889. She also works and has work on view at Good Goods Gallery in Saugatuck.


Artist and Grand Ledge-native, Mary Ann Southworth is displaying “Personal Medicine,” an acrylic and colored pencil on wood panel painting that’s a “warm reflection of the transformation and inner peace that happens when you grow comfortable with who you are.” Her paintings, sculptures and collages have been exhibited in solo and group exhibitions, including those at the Grand Rapids Public Museum in Grand Rapids, Michigan; Mars Gallery in Chicago, Illinois; Jacqueline Burke Gallery in Santa Fe, New Mexico; Jayne Gallery in Kansas City, Missouri; Joan Cawley Gallery in Lenexa, Kansas; Synapse Gallery in Benton Harbor, Michigan; and Shibui Gallery in Grand Rapids, Michigan. Southworth attended the School of the Art Institute of Chicago in Chicago Illinois, and received a B.F.A. in 1989.


Photography is Nicholas Gregory’s calling, if you asked him. “Five years ago I set out with a simple goal—get to know the most misunderstood city in America. Detroit feeds my curiosity as an artist and learner.” The images in this compelling photo essay, “Split,” captures the sometimes forgotten stories so ingrained in this city’s roots–including the lingering scars of housing segregation and the construction of the Chrysler Freeway (I-75) through the onetime culturally rich black neighborhood known as Paradise Valley. The neighborhood, a vibrant entertainment center turned ghetto, was located in the heart of Motown and was home to thousands of Black families before it was buried by concrete. His work ranges from photojournalism in the streets of Barcelona to capturing majestic Pacific Northwest landscapes and portraits. But he aims to bring awareness back to one city. “I bring awareness to Detroit's history and the current challenges so we can make Detroit better."


Cristina Fournier’s watercolor and oil paintings are widely acclaimed internationally and in her native Costa Rica. Her many awards include the National Aquielo Echeverria Award, the prestigious Ancora Award and Honorable Mention at the International Show in Juivissy, Paris. Cristina is an enthusiastic artist-diplomat. Her vibrant paintings of native flora and fauna have long been favored by Costa Rican government officials as gifts for visiting dignitaries. One of her paintings was officially presented at the 50th Anniversary of the United Nations. Cristina is a dedicated and prolific artist. She has traveled extensively throughout the Americas and Europe, captivating the “feelings” of each region with her versatile, impressionistic brush. “From Coast to Coast” is a labor of love. Begun more than ten years ago, this enormous watercolor is an ambitious portrayal of the luscious and extremely variable flora of Costa Rica, from its Caribbean Coastal tropics to the dry forests of the Pacific.


Holland resident and Hopkins High School art teacher, Cassie Jo Krause Atallah’s ArtPrize entry is called “Fruit of the Mind and Work of Human Hands.” The work is a series of 12 wooden frames displaying hand casts doing a variety of everyday tasks, but for what could be very different characters. “It is an optimistic view of the job market and a tribute to all of the people who work hard every day.” The Hope College graduate chose the title as a commentary on how our jobs (past, present, and future) become parts of our identities and affect our lives in ways both subtle and profound. “As a teacher, I hope that my students will have the opportunity to work in careers that they truly enjoy,” she said, and “as a friend and family member, I am constantly in awe of the variety of things that the people in my life do on a daily basis. I appreciate people whose work has a positive effect on their communities. This project is a tribute to all of you.”


Yet Holland is not only represented at DeVos Place by Atallah. Michelle Calkins also resides in Holland and will be competing in her third ArtPrize. Moving from magnets and wood in her previous entries to oil paint and canvas, "Collage Color Study 64" is a study of color and texture and how they relate to each other. She says each little painting is inspired by unique color combinations and the nature around her. "Having been a professional picture framer since 1990, the presentation aspect of the art world is always on my mind. A great frame can do wonders. Owning Four Corners Framing Company in Holland, Michigan has afforded me a front row seat to many types & styles of art. It has been a great & constant inspiration and keeps me on my art toes." Michelle's media of choice are oil painting, sculpture and photography. "It's all about color," she says. "Lately I’ve been borrowing from one discipline to give to another which I think makes each one stronger." She feels she has come full circle with her piece for Artprize 2012.



For Kirstie Conklin, the decision to enter ArtPrize wasn’t simply about winning a competition. It was about paying tribute to her husband, who died of cancer on September 19, 2011—exactly one year before this year’s event began. Conklin recalls visiting ArtPrize in its first year with her husband, dreaming of someday entering the competition herself. But as a busy mother of a toddler with a full-time job, she didn’t think she had time. The following fall, life shifted gears. After a new baby and as her husband’s battle with cancer came to an end, she dug deep to find herself as she continued to raise her two children, work full time, and maintain a home. “Being a widow was a resentful fact of life, and the term ‘single mom’ never really resonated with me,” Conklin said. “But after a while I realized there were many ways to draw closure from the death of my husband. One was to fulfill my promise to take him to Italy. The other was to participate in ArtPrize.” She decided to create a painting from an image she photographed as a young art student—a scene of Perugia, Italy. Rendered almost as tight as a photograph, her 24”x36” oil on board painting is titled, “My Little Italy.” “My hope is that it will show others that even in the darkest of times, it is only from within we can draw our strength,” Conklin said.


Rebecca Zeiss studied painting and drawing at Delta College and then the University of Michigan School of Art and Design. During her time in Ann Arbor, she changed the focus of her work from painting to photography. She received her MFA in photography in 2005 from Central Michigan University and is now teaching photography and design at the University of Michigan-Flint, Delta College and Saginaw Valley State University. Her work embraces the crossover between photography and the tactile components of painting and drawing. Recently, her work in national and local exhibitions has been recognized by Bernice Steinbaum (pioneer for women artists), Joy Hakanson Colby (eminent retired art critic for the Detroit News), Deborah Willis (honored educator at the Society for Photographic Education), and Joseph Thompson, director of Mass MoCA, which he spearheaded to be the largest center for contemporary visual and performing arts in the US. The oversize images of “Resonance of the Machinist.” which are printed on brushed aluminum, play with the viewer as the optical planes shift through what is revealed and/or what is concealed, creating perceptual illusions and allusions.



This is just a small portion of the artists exhibiting their entries at DeVos Place. Stay tuned for information on more artists. Please find a listing of all entries being shown at DeVos Place here.

More ArtPrize Artists Come From All Over to Grace DeVos Place With A Diverse Range of Entries

As the Arena District recently kicked off their second annual ArtPrize Preview in 24 different venues, DeVos Place is once again proud to host some more terrific and intriguing entries. This year, DeVos Place will play host to 58 different pieces shown throughout the venue. Just as the art ranges in style and topic, the artists themselves come from all over the world and range in background and motivation.


The motivation for artist Kent Ambler is a noteworthy one. A full-time artist since 1997, Ambler is pledging to donate $10,000 to the American Society for the Prevention of Cruelty to Animals (ASPCA) should he win the 2012 ArtPrize top prize for his installation piece. “Dogs have added so much to my life that I feel a need to help. I donate work for auctions to benefit animal groups probably five or six times a year. I always wish I could help animal shelters more than I do,” says Kent. His work is a testament to his admiration for the four-legged friends who often appear as the main subject in his art. His ArtPrize piece “Running Dogs” is a massive expression of this adoration. With more than 100 painted, cut-out dogs captured in different forms of running, the piece spans the whole wall—eight feet high and sixty feet long. Out of South Carolina, Ambler received a Bachelor of Fine Arts from Ball State University and has appeared in art shows, festivals and galleries throughout the United States.


“Brothers Karamazov” is a piece created by Seattle-born Tom Nakashima during a reading of the novel by the same name. Nakashima is Emeritus Proffessor at The Catholic U. of America and Morris Eminent Scholar Emeritus at Augusta State University. His work is in the permanent collections of over 50 public collections, which includes the Smithsonian American Art Museum. His work has been reviewed or written about in international art magazines and news publications while being reproduced in The Paris Review, Elle, Southern Living, and House Beautiful. As with all of Nakashima’s work, the painting uses recycled paper which relates to his continuing commentary on deforestation of the planet.


“It all began with an invitation to my high school reunion, which they scheduled to coincide with an event called ArtPrize,” explains Jody Cramer, who grew up in Grand Rapids and is currently an artist living in Santa Fe, New Mexico. Jody’s artwork, entitled “Tulip Mania Connecting the Dots,” consists of nine 2’ x 2’ individual wooden panels in a diamond configuration comprising nearly 3,000 three-dimensional dots of vibrant acrylic color and a holographic medium, which unite to convey form in a Gestalt of optical illusion. Jody developed her unique style over 30 years ago while completing her Master’s Degree at Indiana University. Her interest in art began at a young age, evolving from childhood classes at the Grand Rapids Art Museum into the pursuit of art as a career. Fond memories of enjoying the Holland Tulip Festival as a child also helped inspire her ArtPrize entry. “ArtPrize is such an innovative format and platform for artists, it will be exciting to participate and see my hometown again,” said Cramer, who will be here for the event.


From Beaufort, South Carolina, Greg Rawls has been creating kiln-formed (fused) glass for the past twelve years, studying extensively with many accomplished glass artists and developing techniques for taking kiln-formed glass in new directions, as with “Sea Glass.” For his direction, Rawls has won numerous awards, such as the Piccolo Spoleto Juried Art Exhibition, while also appearing in several galleries within his state. Rawls’ artist statement states glass is an eternal medium that has been worked, in one form or another, for several thousand years. Fused glass art was found in ancient Egyptian excavations and was a revered art form. The technique was lost and rediscovered about 50 years ago. “I want my work to be simple and expressive, yet convey a sense of color and light in harmony. I have always been inspired by the colors of the Lowcountry. The marsh, ocean and incredible sunsets form my palette.” He pursues glass art full time with his company, specializing in kiln-formed glass for art and architecture.


Lily Lihting Li Kostrzewa is a contemporary artist who specializes in cross-cultural paintings. Born in Taiwan, Kostrzewa studied at National Taiwan Normal University, Taipei before moving to the United States. She utilizes many techniques from both the eastern and western art to enrich her work. Now residing in Michigan, her artwork has been exhibited in Ukraine, Jordan, Taiwan, Austria, Canada, Greece, Italy and many states in the US. Her formal education includes MFA degree in Modern painting, MA degree in Computer Graphics, BFA degree in Chinese Art and Art Education teaching certificate. Lily has taught painting, design and workshops in colleges, public schools and community art centers, including Lake Forest College, IL, Central Michigan University, MI and Marywood University, PA. “Don’t Wait For Tomorrow” has been shown in NYC’s Time Square and has been chosen to be published by Chicago Art Magazine, Open Studio Magazine (Boston) and Review Magazine (Saginaw).


Emmy-nominated filmmaker, artist, author and explorer of the PBS Documentary “In the footsteps of Marco Polo “, New York-bred Francis ODonnell says he was inspired by the Nazi Holocaust and “mankind’s refusal to learn from the past, which has led to other monstrous acts of genocide around the world since the end of WWII.” ODonnell’s piece “Guernica Redux—Holocaust of the Innocents” pays homage to (though he insists is not a copy of) Picasso’s famous antiwar masterpiece, “Guernica.” “I've painted it bold and simply, reminiscent of the propaganda posters of the 1930s/40s. To some extent, this softens the terrible images. To further remove us from reality, I've restricted my palette to the use of three colors—red, white and black with the exception of an old man who sits on his hands on a light blue military helmet. He represents the world and the helmet represents the United Nations knowing [of these acts] but unwilling act,” ODonnell describes.


Christopher Weed grew up in Philadelphia, PA, receiving a BFA degree from the University of Maryland, studied in Europe for several years, and has created over 20 public art commissions since 1998. Participating in last year’s ArtPrize, Weed is now introducing “Spores” to downtown Grand Rapids. Spores simultaneously suggests something playful yet threatening, natural yet out-scaled, organic yet industrial. Accordingly, the forms at-once appear as seed spores, tumbleweeds, thistles, and nautical mines. The sculptures are constructed of powder coated steel spheres with 400, to 475 solid half inch steel stems welded to each sphere. Weed’s entry form last year, “Portal” recently won first place in the 2012 Art on the Streets in Colorado Springs, Colorado. He’s also completed projects in Denver, Aurora, Boulder, Fort Collins, Lafayette, Colorado Springs and Superior to name a few. He is represented at A New Leaf Gallery in San Francisco, CA, and Shidoni Foundry, Gallery and Sculpture Gardens in Santa Fe, NM.


Though Haiti is the theme of his Artprize photo exhibit called “The Least of These,” Phil Niekerk is based a little closer to the area. Niekerk, local pastor and photographer from Ada, Michigan is displaying a series of 34 black and white photos surrounded in three frames of steel and metal grating. “Going on mission trips around the world has been one of the highlights of being a pastor. I always take my camera equipment no matter the circumstances. Photography is how I journal what I’m seeing and feeling when I’m in a new place like Haiti,” he says. “I always look for a theme to capture with my camera—something more than the typical vacation shots. It became obvious during my first couple of days in Haiti that faces were [the] theme. My camera gravitated to these beautiful faces I encountered. I think my photos capture a wide continuum of these human emotions; from joy to despair, from anger to contentment, from beauty to brokenness. ”


Dr. Ellen (Messner) Rogers, former wildlife veterinarian in Africa and star of Animal Planet’s docu-drama TV show Great African Wildlife Rescue, presents her animal-inspired artwork, “Darwin Called It Evolution,” for ArtPrize. She is a 2012 MFA graduate from Visual Studies Department at the University at Buffalo, as well as an alumnus of Harvard and Tufts University. She earned her BFA at the Maine College of Art, in Portland, Maine. Through her art practice, Rogers examines ideas about humans, animals, and Nature. Rogers spent years working in Africa hands-on with some of the most endangered, and dangerous wild animals on the planet. Based on her experiences working in wildlife conservation in Africa, Dr. Rogers uses art to explore how humans interact with and understand Nature. She seeks innovative visual methods to ask if people are a part of (or apart from) Nature. Her current artwork embodies hybrids of people and animals, asking how do people affect other beings? How do animals affect people? And ultimately, how do humans affect themselves through the environment? Rogers uses her sculptures to question the human/nature dichotomy.


Artist Read Lockhart is continuing in the visual arts tradition of his father and grandfather. With “The Allegory of the Cave,” Read Lockhart continues to dive into his paintings and drawings layering oils on canvas and graphite on paper to reveal undeniably compelling images. Although the visual arts were far from his mind during his undergraduate career at St. John's College, in Santa Fe, New Mexico, the Illinois-native soon discovered his love of drawing closer to home at the School of the Art Institute of Chicago. Lockhart has also studied drawing at the Florence Academy of Art in Italy before his apprenticeship back in the US assisting some of New York’s most established painters. To conclude Lockhart’s studies in New York, he received the Alma Schipiro travel grant and spent seven months making his way through Western Europe entranced by the works of the great masters. After Europe, Lockhart's wealth of experience and knowledge backed by years of study drew him back to New Mexico where he settled in Taos.


In the 2011 installment for ArtPrize, artist Dominic Sansone had a great response to his entry, winning his venue's Best in Show Award from the Michigan ACLU and finishing in the Top 25 in Hillside voting. This year with his piece "Just Short of the Shore,” Dominic is looking to reach a wider audience. Dominic is a native of Chicago and in 1997 received his Bachelor of Fine Arts degree with an emphasis in sculpture from the University of Illinois Urbana-Champaign before spending two years working for an aerospace company producing fabrication and assembly drawings for satellites, military aircraft, and mobile artillery units. He’s also worked in the tradeshow industry and has overseen worldwide exhibition programs for major multinational corporations. Since receiving a Master of Fine Arts degree at the Herron School of Art and Design in Indianapolis in 2010, Dominic has exhibited in group and solo exhibitions around the United States. He is represented by Fulton Market Gallery in Chicago and teaches at the Evanston Art Center.


This is just a small portion of the artists exhibiting their entries at DeVos Place. Stay tuned for information on more artists. Please find a listing of all entries being shown at DeVos Place here.

DeVos Place Nominated For 'Downtown Award', Committed To Sustainability

In 2007, an article in Tradeshow Week reviewed how “the tradeshow business [could] no longer turn a blind eye to its impact on the environment.” This came in response to statistical data from the U.S. Environmental Protection Agency which showed then that tradeshows and conventions accounted for the second most wasteful industry in the US.
Since then, venues (and even whole cities) have increasingly jumped on the green movement bandwagon with many becoming proactive in their approach to sustainability and green efforts. Grand Rapids and SMG-managed DeVos Place have been no exceptions.

Nominated by the Downtown Alliance for a 2012 Downtown Award in the ‘Sustainability’ category, the 253,000 square-foot DeVos Place Convention Center has been committed to the effort of caring for our environment by developing methods to reduce, reuse and recycle in our everyday routines. So what are those methods and how’d they come about?

Soon after that article was written, the City of Grand Rapids thrust itself into Consumer Energy’s Green Generation Program, Michigan’s first voluntary renewable energy program, which earned the city induction into the U.S. Environmental Protection Agency's Green Power Leadership Club in December 2008. Along with DeVos Place, Grand Rapids put an emphasis on limiting the amount of waste that was produced while looking into making these entities more efficient.

Promptly in 2009, Grand Rapids was named the Green Generation Customer of the Year by Consumers Energy. "The action today on renewable energy is found in cities," Grand Rapids Mayor George Heartwell said then. "I'm proud that Grand Rapids has taken a lead in this field...”

A leader amongst venues, DeVos Place emphasizes reduce, reuse and recycle practices to become as energy efficient as possible. We have adopted the latest methodologies in sustainability into practice, such as automated faucets and flushing systems, as well as a membrane style roof that is light in color to help reflect heat away from the building, thereby reducing energy costs. To help minimize power usage, the building also uses a computer controlled lighting and HVAC system. The system is designed to control lights, heating and cooling during peak event activities. Here are some more ways DeVos Place has engaged in green practices:


REDUCE

• Recycled paper products in restrooms to minimize waste
• Low-flow toilets in DeVos Place
• Energy efficient HVAC system in DeVos Place Convention Center
• Employee energy conservation awareness program
• Compact fluorescent light bulbs in public areas
• Switching over to Environmentally green housekeeping products
• Energy Management Programming in building support systems
• Centralized off site use of heating and cooling services to reduce cost and impact to Grand Rapids
• Encouraging staff to use alternative modes of transportation and car pooling to decrease air pollutants
• Reserve office paper for only necessary use


REUSE

• Reuse recycled bond paper for non-essential DeVos Place Convention Center documents
• Disposable and biodegradable food and beverage containers
• Participate with local businesses in a city-wide composting program
• Provide DeVos Place Convention Center employees with reusable vessels for beverages while on break
• Donate computers to charity after office updates


RECYCLE

• Purchase recycled paper products for office use
• Promote an employee recycling program
• Recycle toner cartridges
• Participate in Grand Rapids’ surplus programs to reduce landfill use
• Continually research green practices relating to public venues to implement

Additionally, just this summer, DeVos Place introduced two electric vehicle charging stations inside the underground parking lot. Two CT2003 charging stations now adorn the northwest wall of the building’s basement level parking garage near the Michigan Street exit. The stations will provide power for the increasing amount of electrical vehicles from existing power panels. Parking signs, indicating and differentiating the spaces, are also installed.

So along with the city, DeVos Place Convention Center takes the environmental impact of meetings very seriously. Green/Sustainable meetings are about increasing economic and environmental efficiency by minimizing the use of resources and reducing the amount of waste produced from meeting activities. Trimming waste curbs costs, whether it is through the use of energy efficiency programs or recycling.
In July 2010, the Grand Rapids-Kent County Convention/Arena Authority was presented with a Green Venues Certification Plaque for DeVos Place by the Michigan Department of Energy, Labor and Economic Growth.

"This accreditation is the mark of environmental responsibility of venues which are committed to ‘green’ business practices that make environmental and economic goals their top priority,” said DELEG Director Stanley “Skip” Pruss. “Green Venues Michigan is also helping to ensure the viability of our venues and the thousands of jobs related to Michigan’s hospitality industry."

The public can vote for DeVos Place and all other categories here and can place their votes through August.

American Quilter's Society Show & Contest To Display New Exhibit From Japan Right Here at DeVos Place

Don’t miss the new exhibition, “Japanese Color and Form: New Works by Fifty Japanese Artists” at the first-ever AQS Quilt Show & Contest in Grand Rapids, Michigan, August 22-25, 2012. Curated by Kokusai Art of Yokohama, Japan, this exhibit shares the unique artistry of Japanese traditional quilt design with modern flair.

You won’t want to miss this special exhibit at the AQS Quilt Show and Contest in Grand Rapids, Michigan, August 22-25, it’s called “Japanese Color and Form – New Works by Fifty Japanese Artists.” We’ll be showing you dozens of spectacular quilts from Japan, and you can only see them if you attend the show!

Japanese quiltmaking has evolved extensively over the past forty years. What was once influenced by Western and antique designs, many Japanese quilt techniques and designs are becoming a model for quilters across the globe. Entries in international quilt contests from Japan now include art quilts made with Japanese kimono fabrics and Japanese designs; others reflect uchikake costume shape or use traditional Japanese patterns. Quilters quickly grew to love these works reflecting Japanese culture in new, innovative ways.

The American Quilter’s Society mission is to provide a means for today’s quilters to expand their horizons in quilt-making, design, self-expression, and quilt collecting. Our magazines, books, products, shows, contests, and workshops all strive to inspire, instruct, and nurture the art and skill of quilt-making.