Monday, July 21, 2014

Christian Artist TobyMac to Play DeVos Performance Hall in November

Christian hip-hop/pop artist TobyMac will return to Grand Rapids to play DeVos Performance Hall this fall. The former dc Talk rapper will bring singer/songwriters Matt Maher and special guest Ryan Stevenson with him for the Sunday, November 23, 2014 show that is slated for a 7:00 PM start. 

Tickets will cost $20.50, $25.50, $35.50, $45.50 and will go on sale Friday, July 18, 2014 at 10:00 AM. Tickets will be available at the DeVos Place® and Van Andel Arena® box offices, Ticketmaster ticket centers, online at Ticketmaster.com, or charge by phone at 1-800-745-3000.

From his early days in influential group dc Talk to his very first solo album, Momentum, Toby has worked hard to inspire his audience with words of conviction, hope, empowerment and the redemption found in his faith in God.  He furthers that vision on his latest release, the thrilling Eye On It, produced by Toby, Christopher Stevens, David Garcia and Jamie Moore.

Toby has clearly been taking all the right steps, moving through the often prideful music business with a sense of humility that belies his success. With over 11 million units in career sales, TobyMac continues to take his career to new levels. Eye On It gained him the GRAMMY® Award for Best Contemporary Christian Music Album and the highest chart debut of his solo career landing at No. 1 on the Billboard Top 200 and topping the iTunes® Overall and Christian sales charts. The project made TobyMac one of only four artists to ever debut atop the Billboard Top 200 with a Christian music album.

His previous four solo projects have received RIAA Gold certification. His 2009 album Tonight received GRAMMY® nods for Best Pop/Contemporary Gospel Album and Best Contemporary Christian Song.

In all, TobyMac has received five GRAMMY® awards, two Billboard Music Awards for Top Christian Artist and Top Christian Album, an American Music Award for Favorite Artist in the Contemporary/Inspirational category, Dove Awards for "Artist of the Year," "Pop/Contemporary Album of the Year," "Recorded Music Packaging of the Year," "Short Form Video of the Year," KLOVE Music Awards for “Artist of the Year” and swept the 2013 Australian Music Awards. 

Thursday, July 10, 2014

Special Invitation from Community Inclusion Group

*Keith Sweat on August 2nd has been cancelled. If you purchased tickets at our box office, refunds have been processed automatically. Otherwise, refunds are available at the point of sale.

The Grand Rapids-Kent County Convention/Arena Authority’s (CAA) Community Inclusion Group (CIG) would like to invite you to join our VIP List. By joining our VIP List, you will have information about events and attractions delivered right to your inbox. Simply click here to join and see a full list of events and attractions coming to YOUR community venues. If social media is more your speed, we invite you to connect with us:

Facebook
Van Andel Arena
DeVosPlace/DeVos Performance Hall

Twitter
@VanAndelArena
@DeVosPerfHall
@DeVosPlaceMeet

Instagram

@VanAndelArenaGR

By way of background, the CAA owns and operates the Van Andel Arena®, DeVos Place® and DeVos Performance Hall. The CAA’s mission is to encourage economic development within the West Michigan region, create jobs and provide facilities for the entertainment, enjoyment and/or benefit of the citizens in an economical manner by developing and operating convention, entertainment, and sports facilities within Kent County.

In 2005, CAA Board Chair Steve Heacock established a subcommittee to examine the reach of the CAA’s diversity efforts and to prepare a plan that includes financially viable actions for the CAA to undertake. Today, this group is known as the CIG. The CIG is a committee comprised of local community leaders who help identify and ensure that viable diverse events and programming take place at the venues. With this in mind, we are committed to making sure that you are in the know about events and attractions that come to the CAA’s venues and to the greater downtown area. Please consider joining our e-mail list and feel free to forward the link along to those who may have an interest, including co-workers, friends, family, Greek organizations, congregation members, etc.

Wednesday, April 23, 2014

Jam Band Royalty Bob Weir & RatDog Making Their Way to Grand Rapids

With a touring history that has made him one of the most traveled road musicians of all time and a restless music personality that has kept him occupied for over 50 years, Weir knows a thing or two about staying fresh and living in the moment. Although best known as one of the founding members of the Grateful Dead, adding Dead staples such as “Truckin’,” “Sugar Magnolia,” and “Cassidy” to the band’s catalog, Weir obtained a long and affluent music career that has allowed him to do what he loves and share it with others for nearly his entire life.

Weir and RatDog will play DeVos Performance Hall on Tuesday, June 10, 2014 at 7:00 PM. All tickets will be $49.50 and will be available at the DeVos Place convention center and Van Andel Arena box offices, Ticketmaster ticket centers, online at Ticketmaster.com, or charge by phone at 1-800-745-3000. Tickets go on sale Friday, April 25, 2014 at noon.

Born in 1947, Weir was adopted by a wealthy California engineer. As a teen, he secured his spot as one of the youngest members of the burgeoning folk scene that centered on a Palo Alto club called the Tangent—home to such future rock legends as Jerry Garcia, Jefferson Airplane guitarist Jorma Kaukonen and Janis Joplin. In 1964, at the age of 17, Weir spent the majority of his time at a Palo Alto music store where Garcia taught guitar lessons. It wasn’t long before Weir and Garcia, along with Ron “Pigpen” McKernan, formed a blues and folk outfit. Originally called Mother McCree’s Uptown Jug Champions, the band was later renamed The Warlocks—adding Phil Lesh and Bill Kreutzman to the lineup—and eventually came to be known as the Grateful Dead.

Weir’s odd rhythm style developed as he played between the sweet articulated lead of Garcia and the avant-garde bass lines of Lesh. His songwriting developed as well, taking off particularly in the 1970s when he crossed paths with former pal John Perry Barlow. The two began producing songs in Weir’s own distinct style, spurring a songwriting partnership that would last for years to come.

Even with the Dead playing close to 100 shows a year, Weir needed other musical outlets. 1972 brought the release of his first solo album, Ace, on which the rest of the Dead backed him. Throughout the rest of the 1970s Weir toured and recorded with a number of different groups, the first of which was Kingfish. After releasing an album with the band in 1976, Weir began a solo project with producer Keith Olsen called Heaven Help the Fool. A brief tour to support the album resulted in collaborations with various session players, including Brent Mydland (who would join the Dead in 1979), Bobby Cochran, Alphonso Johnson and Billy Cobham. Weir also briefly toured with a group as Bobby and the Midnites, producing two albums.


Throughout the late 1980s and during the first half of the 1990s, the Dead remained Weir’s primary gig. Touring incessantly while all the while building up a community of “Deadheads,” the band finally found commercial success with their 1987 album, In the Dark. When Garcia died in 1995, Weir had just recently formed RatDog with Rob Wasserman, a bassist he had been playing duo shows with since the late 1980s. After Garcia’s death, former Primus drummer Jay Lane and ex-Kingfish harmonica/guitar player Matthew Kelly were added into the mix. With a revolving lineup, the group toured relentlessly, building a name for themselves while performing a mix of new Weir compositions and older, reworked Dead songs.

In 1998, Weir reunited with several former Dead bandmates to tour as The Other Ones, releasing a live album in 1999 and hitting the road again in 2000. The same year, RatDog released their first album, Evening Moods. In 2009, original Grateful Dead members Weir, Lesh, Kreutzmann and Mickey Hart teamed up with guitarist Warren Haynes and RatDog keyboardist Chimenti to tour as the Dead. The results, however, were erratic, leaving Weir feeling like the road trip was more work than fun and Lesh saying the music didn’t seem to be moving forward. Besides stirring up some commotion, the ’09 Dead tour reminded Weir and Lesh of the chemistry the two had as bandmates. This led to the creation of Furthur—arguably one of the most successful Dead projects Weir has participated in to date.

Currently, Weir is married to the former Natascha Muenter, with whom he has two young daughters, Monet and Chloe. While not consumed by music, Weir spends a great deal of time as a social activist. He has done work as an environmental activist with several organizations, such as Greenpeace, and currently serves on the Board of Advisors for theRainforest Action Network and for Seva Foundation. He works with both the Rex Foundation, an organization started by the Dead in 1984, and the Furthur Foundation. Most recently, Weir is on the Board of Directors for Headcount, a nonprofit that registers voters and inspires participation in democracy through the power of music.

A long, strange, very creative trip—and not remotely over. Keep up with Bob on Facebook or follow him on Twitter: @BobWeirRatDog.

Thursday, April 11, 2013

David Sedaris Has Followed a Long Road to Success and DeVos Performance Hall



David Sedaris has been described as one of the top American humor writers of his generation.  He has topped the New York Times Best Sellers list on multiple occasions.  He has over seven million copies of his books in print, and they have been translated into 25 different languages.  He was named “Humorist of the Year” by Time magazine in 2001.

One of Sedaris’ short stories has been adapted into a full-length film that premiered at the Sundance Film Festival earlier this year.  To say his satirical and witty writing style has been a smashing success would be an understatement at this point.  However, this kind of mainstream success isn’t something David has always been familiar with.

Before becoming a best-selling author, Sedaris jumped around from place to place and odd-job to odd-job. He briefly worked for a moving company in North Carolina, and he has spent countless mornings working as a maid in New York, scrubbing toilets and cleaning cat litter boxes for $10 an hour.

He attempted to earn a degree from two different universities before finally graduating from the School of the Art Institute of Chicago.  After he finally earned a degree in 1987, he began reading from his personal diary at a small club in Chicago.  It was at this club that he would be “discovered” by radio personality, Ira Glass.

Keeping a personal diary proved to be a habit that would serve him well as Glass eventually asked Sedaris to come on his show to share some excerpts.  After a little success on the show, Sedaris read his essay “SantaLand Diaries” on NPR in December of 1992 and was quickly dubbed a “minor phenomenon” when the New York Times put him on their unofficial watch-list.

He began recording a monthly segment for NPR in which he read other stories and essays from his diary, and he quickly wound up with a book deal.  After being flooded with offers from TV shows and soap operas, he chose to stick with the diary instead. About a year and a half after “Santaland Diaries,” Sedaris released his first book, Barrel Fever.


Sedaris, who has been nominated for multiple Grammy awards, will bring his humor and story-telling to DeVos Performance Hall.  Set to release his ninth collection of stories and essays, Let’s Explore Diabetes With Owls, a live reading with David Sedaris carries much more fanfare than it did before he first appeared on NPR a little over 20 years ago.

From stories of his various odd jobs to anecdotes about family members, Sedaris amuses and delights his audience with his humorous essays, observations about life, and excerpts from his personal diaries that haven’t quite made it into a publication yet.

Let’s Explore Diabetes with Owls will be released on April 23, 2013, only nine days after his appearance at DeVos Performance Hall on April 14th.  Michigan Radio presents An Evening with David Sedaris will begin at 7:00 PM, and is sure to provide quite a few laughs.

Monday, March 25, 2013

What You Need to Know About Paperless Ticketing


Reported several years ago, a company in Texas was found managing over 100 computers with their own software programs. That sounds perfectly fine at first glance since computers can be found virtually at every company across the globe. The problem here was that these computers in particular, had been programmed to purchase tickets to shows in bulk the instant they became available.

After tickets to numerous events and shows had been purchased, a ticket broker—who’d prearranged to purchase those tickets from the company—ultimately aimed to sell them back to the public. Sometimes, a ticket broker has their own computers. Tickets can change hands two to three times with every one of them looking to gain profit. So regardless of the process, the objective is the same—drive up the price.

Those darn scalpers.

The reality is people have been scalping for a long time—modifying their approach to modernize the way they make profits.  The latest technologies provide faster and faster ways to get tickets. One method is automated computer software programs such as the one in Texas.

Often seen as a victim-less crime, those profits do pay a price. And that price falls on true fans. Once the broker has tickets, prices skyrocket. The broker sometimes can make it practically impossible for the average Joe to get a seat to his favorite band when prices are marked up to over 200%.
Another problem this poses is the uncertain validity of tickets purchased on the secondary market. Sure, you may be able to fork over a couple extra hundred bucks to take your girlfriend or boyfriend to the Kid Rock show or take your spouse and kids to the spectacular “Wicked” Broadway show coming into town, but how do you know they are legit?

Here is where paperless tickets come into play.

Paperless ticketing is an alternative method of purchasing tickets and continuing to gain access to the shows you want to attend. Instead of receiving your tickets ahead of the event, the credit card used to make the purchase will serve as your ticket. All you need to attend the show is the credit card you used to purchase the ticket and a valid, government-issued ID (such as a driver's license, state ID or passport).

Promoters are employing the use of paperless tickets more and more successfully at some of the largest venues throughout the world, by many of the most popular artists including the likes of Kid Rock and more. Simply put, this measure best ensures that fans can buy tickets at the price they initially set for the event all the while enjoying the added convenience of not having to risk losing or misplacing paper stubs.

When patrons arrive at the venue, just go directly to the gate and/or ticket-taker and present the credit card used to purchase the tickets along with a government-issued ID. Upon scanning your credit card to validate your order, a seat locator slip for each ticket ordered will be printed off for each seat purchased in your order.

But say you’re purchasing tickets for others and don’t intend on attending the show?

If you buy tickets for friends or family, sometimes you only have to go to the gate, not through the gate. Simply accompany them to the venue and show your credit card and ID to get them in.

If you happen to lose your credit card after your purchase was made, simply bring a print out of your confirmation email or online order history from Ticketmaster with your government-issued ID to the box office. The box office will then verify the order and make sure the names match. If they do not match, entry will not be permitted.

Paperless tickets take the ease out of a ticket process that has for too long been manipulated at the cost of the artist all the way down to the common fan.

Click here to learn more about paperless ticketing. 

Wednesday, November 14, 2012

Kendall College of Art & Design Juried Print, Drawing and Painting Exhibition Adornd DeVos Place Skywalk

The juried exhibition of Master of Fine Arts students from Kendall College of Art and Design opened on Monday, November 5, 2012 and is currently visible in the Skywalk of DeVos Place Convention Center at 303 Monroe Avenue NW, Grand Rapids, MI 49503; (616) 742-6503.

Eddie Tadlock, Assistant General Manager of De Vos Place worked closely with the Curator of this exhibition, Kendall College of Art and Design Professor Margaret Vega, to showcase these Graduate students. Tadlock states, “DeVos Place is proud and excited to partner with Kendall College of Art and Design in presenting this juried show of graduate students. DeVos Place Convention Center is uniquely situated to showcase art in a public venue in the heart of downtown Grand Rapids. We anticipate an audience of over 30,000 visitors will be afforded the opportunity to see this important exhibition of emerging artists. This exhibition will certainly add a new art destination for the cultural calendar in the region.”

Nineteen 2011-2012 Print, Drawing and Painting Graduate Students were chosen from their digital submission based both on craft and content. The final selection was made from the original work. The artists exhibiting are:

Megan Klco
Cody Erickson
Aneka Ingold
Mellissa Redman
Salvador Jimenez
Katie Moore
Linda Manguiat-Herzog
Taylor Overbay
Laura Hunt
Kari Friestad
Gabriela Amaya-Baron
Elizabeth Hubler-Torrey
Tatsuki Hakoyama
Dustin Rogers
Shannon McDonell
Marvin Dabideen
Steven Vinson
Sarah Knill
Lydia Larson

Megan Klco, MFA thesis Painting student, assisted in hanging the show and placing the work within the space. She is exhibiting her work in galleries and ArtPrize. The MFA Program at Kendall College of Art and Design is a rigorous experience involving studio and thesis level courses, Art History and seminars in philosophy and contemporary issues.

“This juried exhibition represents the commitment and dedication of our graduate students at Kendall. Students arrive to our MFA program with passion, expectations and expertise. They graduate with refinement and depth in their chosen field, combined with direction and preparedness for the challenging life of an artist. These artists will go on to teach, exhibit and share their work all over the world. It is an inspiration and privilege to work with these students,” said MFA Painting Professor Margaret Vega.
"Guided by skill and imagination and having only their courage and the media of the artist to accompany them, the Kendall graduate students set out into uncharted territories. They explore universes of experience, opening up new worlds from old ones and moving agilely away from the anesthetic of routine. As a viewer I find the works emotionally resonant, even as they produce the tension, challenge, and sometimes discomfort of changed perceptions and understandings. I come away from experiencing those works with my intellect excited, my emotions churned, and my whole being refreshed by what can only described as a visit to a new place. And when I come back to my old place from that new one, I feel immense gratitude for that journey and pride in the Kendall students. They are doing work that matters," stated Dr. David Rosen, President, Kendall College of Art and Design.

Megan Klco

Friday, October 26, 2012

ArtPrize '12 Recap: DeVos Place and Van Andel Arena Collaborate With Community While Talented Artists' Make Top 100

With another ArtPrize competition well done and over with, we at DeVos Place and Van Andel Arena would like to take a quick look back at the amazing artist accomplishments for which the entries at DeVos Place and Van Andel Arena were able to receive along with some of the great collaborations we were able to participate in.


With over 900 applicants desiring to display their work at one of ArtPrize’s premier venues year in and year out, only 58 were chosen to exhibit at DeVos Place with another two entries down the road outside our sister venue, Van Andel Arena, which is also where we kicked off our participation in this year’s contest.

Coincidentally, Ringling Bros. and Barnum & Bailey’s Fully Charged circus was coming into town for their annual fall run of shows at the arena while ArtPrize was also ready to kick off. Combining the two occasions, Van Andel Arena was able to host a Pachyderm Painting Palooza on September 19th with special guest, Asia the elephant. Van Andel Arena also worked with the Grand Rapids-Kent County Convention/Arena Authority’s Community Inclusion Group to bring in a dozen children from local schools to paint with Asia, herself...using their "trunks", of course.



But Van Andel Arena wasn’t the only venue having all the fun that day. Over at DeVos Place, hundreds of the public browsed through the venue at DeVos Place's ArtPrize Grand Reception, where they were able to meet and speak with many of the artists themselves. The preview event was part of the Arena District’s preview series, involving many of downtown’s bars, restaurants and venues.

During ArtPrize, local teenagers from the Grand Rapids Community Foundation’s Youth Grant Committee used the area in front of Van Andel Arena on September 29th for one of their annual volunteer projects. Using hundreds of canvas event bags that were supplied by DeVos Place, the Youth Grant Committee offered people walking downtown the opportunity to help children in need feel uplifted and inspired. By asking people downtown to simply decorate a lunch bag that was given to a child through Kids’ Food Basket’s sack supper program, all parties involved were able to utilize their resources for the benefit of the community.



As for the competition itself, DeVos Place and Van Andel Arena were happy to have 13 artists in the top 100 out of 1517 entries.

Cristina Fournier’s From Coast to Coast, Greg Rawls’ Sea Glass, Lis Bokt’s Earth, Scott William Bye’s Rush Docks, Tom Sheerin’s Bird Feeder and Kent Ambler’s Running Dogs all made the top 100. Cracking the top 50 were Peter Halasz’s rainscape from east broadway and canal, Read Lockhart’s The Allegory of the Cave, Clark Art Studio’s Verdigris, Kim Marie Rudolph’s Black Swan and Jody Williams’ Legacy.

Finally, a round of applause goes to Jessica Bohus’ Running on Air and Jack Nixon’s Studies In Light and Form—The Chicago Seven and Michigan Avenue Bridge Sculptures for making the top 25. Just the latest DeVos Place displays to make the top 25, DeVos Place has been well represented in the top 25 every year since ArtPrize started.

Congratulations to these great artists for making the top 100 and beyond. Lastly, thanks to all the artists that displayed their terrific work at DeVos Place and Van Andel Arena. Next year, we anticipate more great entries and look forward to collaborating with and for the community. See you next year!